- Aesthetics and Ethics
- Applied Philosophy
- Collaborative Learning
- Complexity and Resilience in Socio-ecological Systems
- Cultural Ecology
- Environmental Communication
- Experimental Media Arts
- Immersive Environments
- Interactive Arts
- Media Theory
- Merleau-Ponty
- Phenomenological Aesthetics
- Philosophy of Experiential Education
- Philosophy of perception
- Social Sculpture
- Aesthetics
- Animal Species Loss and Decline
- Animals in Culture
- Applied Ethics
- Archetypal Psychology
- Continental Philosophy
- David Bohm
- Deep Ecology
- Early and Medieval Islamic Art and Architecture
- Ecological Art
- Ecopsychology
- Embodiment
- Environmental Aesthetics
- Environmental Art
- Environmental Ethics
- Flesh
- Goethe and Phenomenology
- Human-Animal Relationships
- Inter-Species Communication
- Medieval Bestiaries
- Medieval Mediterranean Art and Architecture
- Merleau-Ponty's Aesthetics
- Merleau-Ponty's Ontology
- Modes of Perception
- Narrative Inquiry
- Ontology
- Phenomenology
- Post-Humanism
- Socio-Ecological Systems
- Telepresence
- Visual Culture
- Visual perception
Books
"Possible Worlds" in The Time is Now: Public Art of the Sustainable City
Book chapter and juror's essay - "Possible Worlds" - for the Land Art Generator Initiative, UAE, 2010.
"Intimate Strife: the unbearable intimacy of human-animal relations" in Leonardo's Choice: Genetic Technologies and Animals (C. Gigliotti, ed.)
Essay - Intimate Strife - the unbearable intimacy of human-animal relations"
Chapter Abstract:
Each day species go extinct. Countless non-humans suffer and die in industrialised farming and laboratories. Life forms are also used by artists as media. The freedom to utilize whatever we like in our own interests is largely unquestioned. But one must ask: are all of the practices of industrial culture desirable or even acceptable? And if they are acceptable, why do we find them so? Also largely unquestioned is the status of human as subject, and of all else as object – as a “what”, instead of a “whom”, the value of which is determined by its utility to the subject human.
Discussion of how to better human relations with non-human animals is not new. My overall goal in this essay is to look elsewhere for revision and change in human-non-human relations (and in the non-human I include not only what we consider the animate world, but all of nature as we think it). Hence, I argue that an alternate ontology is what is required for radical and lasting change. I also briefly consider some ideas that I think might aid us in locating such an ontology.